Introduction
“This will be a gem of an interview,” was my immediate response when I first received the interesting and informative answers that Donny Edwards gave in response to my questions about his brilliant career as a professional ETA. Partners in life and in business, Donny and Donna Edwards make an extraordinary team. From our very early conversations via Facebook messages, I was impressed with Donna’s dedication in supporting and promoting her husband’s career. Donny’s passion for performing an authentic tribute to Elvis has earned him a vast, worldwide, fan base that includes many well known celebrities whose photos appear within the body of the interview and in “Celebrity Photo Album”.
Donny and Donna Edwards gave 100% to ensure that this would be an interview that fans would want to read and reread. I wish to extend a heartfelt thank you to Donny and Donna Edwards for taking time from their busy schedule to ensure the success of the interview. It has been such a pleasure working on this post for SIDEBURNS Magazine and getting to know Donny through his answers, and Donna during our messages. I invite all fans to enjoy, share, and comment on Donny Edwards’ fascinating interview in Spotlight ON. C.M.
From Donna with Love
Hello Everyone! I am Donna Edwards, Donny Edwards’ proud wife and business partner. As his soul mate, best friend and wife of almost 12 years, I can tell you that Donny is a wonderful, funny, intelligent, charismatic, interesting, sensitive, complex, very talented, handsome, spiritual man whom I love deeply and respect very much. He's a sweet man who never hesitates to bring his girl flowers, and I feel blessed that God brought him into my life. He's not perfect, and neither am I, and we don't pretend to be; but we are perfect for each other and that's all that matters. We enjoy going through life together and getting to experience all of the fabulous delights along the way.
As his business partner, I have to say that Donny is a committed perfectionist who always strives to better himself to be his best. Anything less, is not good enough. His strongest interests are in perfecting his stage show, his beloved Elvis jumpsuits and costumes, working with the band, and keeping himself in tip top shape to always look his very best when paying tribute to Elvis. His dedication, determination, focus and diligence are inspiring to me and make me want to strive to be better too. I handle all the behind the scenes stuff within our business...bookings, promotion, merchandise, online social media pages, etc., and it works perfectly for us. When needed, we help each other, too, and it all comes together, divinely. We do it as a team. We don't like being apart and truly enjoy each other’s company. We travel together 90% of the time and make memories wherever this wonderful career of celebrating Elvis's life takes us. We count our blessings, always.
As for Donny, the very proud Elvis tribute artist, and in his words a “die-hard Elvis fan”, he is the absolute ultimate to me and many of his loyal supporters for whom we are so grateful. Donny brings me to Elvis every time he is on that stage, and so many who come to our shows have told him the same. He gives a great "Elvis illusion". Donny doesn't do things half way; he takes it all the way and he makes sure that he is bringing his best to his stages everywhere he performs. He wants his fellow Elvis fans who fill the seats in so many of our sold out venues to walk away feeling really joyful and satisfied. He wants them to remember who Elvis was and what he was all about. Donny loves sharing information about Elvis with fans during his shows between songs and the fans love it, and they thank him over and over for it. Donny truly loves, admires, and respects Elvis with all his heart and soul and he does all he can to honor his memory in the most humble and authentic way possible. We are all about Elvis, all the time--that's the way we do it! That's the way it is! We warmly welcome fans at our shows as part of our big Elvis family!
The Interview
Q. Tell us five interesting things about your childhood.
A. I was born in Iowa, but raised in Texas. I’m the youngest of three kids. We moved around a lot within Texas when I was growing up. I always had a love for Elvis even as a very young child. I also loved Superman movies and Star Wars. I loved playing sports too, especially football.
Q. Describe your life as a teenager.
A. I spent a lot of time watching and playing sports and playing video games with my friends.
Q. What did you do with your time after your high school years ended?
A. I worked off and on in construction, then later I worked in retail while I went to a community college in Texas.
Q. What career path did you decide to take after high school?
A. I started out by getting my certification in Chemical Technology, but then switched to Radio Communications to become a Disc Jockey. Eventually, I settled on Computer Science, which is where I got my Associates Degree.
Q. Did you take any lessons related to the performing arts? Please explain.
A. Not really. Other than my working at a radio station for a few months and taking courses on recording, I never did anything with performing until my late 20s.
Q. What music was most often heard in your home?
A. A little bit of everything! My family's records included Tom Jones, Sam Cooke, Brook Benton, Bobby Vee, Connie Francis, The Beatles, Brenda Lee, Helen Reddy, Patsy Cline, Roy Orbison, ABBA, Bee Gees, Neil Sedaka, Roger Whitaker and Elvis. By the '80s, my siblings and I loved Journey, Michael Jackson, Madonna, Wham, Beastie Boys, and LLCool J, too. My father liked more pop music and my mother always liked country.
Q. Were you a performer prior to becoming an ETA?
A. No, I had never done any performing other than being an autumn tree in our 3rd grade play. I had two lines and just stood there, still, like a tree would.
Q. What circumstances led to you meeting J.D. Sumner, George Klein, D.J. Fontana, and members of the Jordanaires and the Sweet Inspirations in 1996? What was the consequence of that fortuitous meeting?
A. After years of missing Elvis Week, I decided to go in 1996 with a friend. It all happened while attending a tribute show with all of Elvis’s band members at the Orpheum. After watching many of the performers, I thought I’d try to sneak backstage and see if I could meet them and take a few pictures. I remember walking right past security and opening a door and seeing JD sitting there. I said hi to him and an assistant told me, "No pictures, please." But JD put out his hand and introduced himself and I did the same while telling him it was an honor to meet him. About the same time, the Jordanaires were coming offstage. I saw DJ Fontana and introduced myself, asking him for a picture, which he obliged. While taking some pictures, a gentleman walked up to me and asked who I was. I thought I was busted, but I told him my name and he told me he was Gene Smith, Elvis’s cousin. He was very nice. He told me I had a good resemblance to Elvis and asked if I did a tribute to which I replied, "No way! Those guys are crazy!" He just laughed at my comment, but then introduced me to George Klein who was the show’s emcee. George also remarked about my resemblance and asked where I was from and how old I was. It was very flattering and an honor to get such compliments from these gentlemen who were a part of Elvis's life. I asked for a photo with George and he obliged, too. It’s funny when I look back at this time because I wasn't supposed to be backstage and as luck would have it, there I was--I’m talking with Elvis’s friends and band members just taking it all in. It was that night that I first put some thought into what this tribute thing might be about, mostly because all of Elvis’s friends seemed to think I had a good resemblance, and I was honored by their kind compliments.
Q. What do you remember about your first competition in Lake Jackson, Texas in 2002? Did you achieve the outcome you wished from that contest?
A. It was August of 2002, and I had graduated from college in June that spring. I started goofing around on my dad’s karaoke machine. He heard my tape and gave me his machine to use. I downloaded a few Elvis songs from the internet and played around with them. After a couple months, family members and friends found and heard the tape of my recordings. It was about that same time that a theater nearby was holding an Elvis contest. After seeing a few shows there and figuring out how a contest works, I decided to give it a shot. We had to perform two songs each. Each tribute artist would sing one song in the first half and then a different song in the 2nd half. I chose as my first song, the ballad "I Want You, I Need You, I Love You", then for my second song I chose an upbeat song, "Hound Dog". I remember practicing and trying to figure out how Elvis moved, working hard at it. By the time of the contest I had some of the moves down. I went on about middle of the pack and there were some guys who had strong voices. As soon as I walked out though, I got a great reaction from the audience, which really helped my confidence. I sang my first song, which got a great reaction; then I came out and did “Hound Dog” with what little moves I had and everybody went crazy. I was blown away! The audience were the judges and I won with over 90% of the first place votes. It was there at this contest, too, that I met some Elvis tribute artists who gave me pointers and even some tracks to use. I will always appreciate that and am grateful. Great guys! From that point, I moved forward with my ETA career and went on to win many contests including the two biggest at the time, back to back, Isle of Capri and Potawatomi. First prize was $25,000 for each! I gave up doing contests in 2009 and decided to just strive to perfect my personal tribute and focus on being a professional performer.
Q. Describe what you were feeling before, during, and after your first performance as a professional ETA at Elvis-A-Rama. After the Elvis museum closed, what direction did your ETA career take?
A. In 2003, after performing for 3 months in Oregon at a casino, I went back to Texas. Shortly after, I won a contest in Branson, MO and then headed to Las Vegas. I participated in a festival there, and a few days later I got a call to audition for the Elvis-A-Rama showroom. It was about 12pm noon when I arrived there. I met the owner, Chris Davidson, told him of my experience and then jumped onstage and sang "That’s Alright, Mama" for him. About halfway through Chris stopped me and shockingly asked me to perform his 2pm, 1 hour show, that same afternoon. From that point, I would go on to perform there as one of the star performers for the next 3 1/2 years until it's closing in October of 2006. It was during that time I learned a lot and really feel I grew so much as an ETA. Before that time, I was a very nervous new performer who never really looked up much. By the close of the museum/showroom, I felt much more confident and was travelling to multiple states to perform and in different countries, too. I was also doing some TV commercials both locally and internationally, as well as doing shows with some of Elvis's band members like DJ Fontana, The Jordanaires and The Sweet Inspirations. After the closing of Elvis-A-Rama and my time there came to an end, I hooked up with some promoters and started touring a lot with them. I felt blessed that my career as an ETA took off pretty quickly after I began, and that I had so many opportunities coming my way. I will always remember my time performing in Vegas fondly and with extreme gratitude because it gave me much exposure to Elvis fans from around the world and allowed me to build a fan base that I took with me, even up to current day. A funny thing I remember from that time was a lot of people would ask if I was lip syncing because we had to sing to background tracks and not perform with a live band. They always said I sounded a lot like Elvis. What a great compliment it was to hear this!
Q. Of the many awards, titles, or honours you have received as an ETA, are there three that have special meaning or significance to you?
A. The three that come to mind that I’m most proud of are: Number one is being the only ETA ever given permission to perform my show on the estate grounds of Graceland. That was in 2013 during Elvis week. On that evening at the show, I was also made an Honorary Tennessean by the Governor of Tennessee, certificate and all! Another was getting to perform my show on Elvis’s stage at the Hilton, now the Westgate, for two nights to commemorate the 40th Anniversary of Elvis’s passing. I was on his stage, in his showroom and using his dressing room! What made it so special was that I didn’t rent the room. I was asked to bring my show there by the entertainment department at Westgate. They said I was just the right Elvis performer they were looking for to be on that special stage. I wasn’t just part of a festival or event that rented the space. I was hired directly by the casino itself to do my tribute show and I am proud and honored by that. I achieved my ULTIMATE dream. The third is what I do currently, which is performing as a Las Vegas headliner at the South Point Casino. I have been there for five years now, with the Fever band, selling out all our shows to date. We are proud to be part of the South Point family and can't thank them enough for the support of my show and for their wonderful hospitality. We have a blast every time we are there and look forward to many more years of shows with them!
Q. Describe the process of turning yourself into a stage ready ETA.
A. Depending on where I am, usually at the hotel, I try to eat something within an hour of getting up, usually about 7-8 hours before my show. Then with about 5 hours to go, I take my shower, shave, etc. Depending on whether the climate is dry or humid, dictates my hair product. I have thicker hair than Elvis had, so that’s usually my main focus. I also work on making sure my sinuses and lungs are open and I play around with my air and how to control it. For most shows, I do a sound check and rehearsal with the band, about 2 1/2 hours before show time. I usually do my makeup last, about an hour before the show, which is also when I eat once more but only a small snack or something with protein. With about 20 minutes to go before show time, I’m pretty much ready. I usually have a playlist of what songs I’m singing that night playing on my iPad or Elvis video footage in my dressing room the whole time. I do certain stretches or exercises to warm up my body because my show is very physical. Because I usually do both 50s and 70s in my show, I have to be sure I have everything in order for a quick change in between my sets, intermission or not. I go over last minute details with my wife, Donna, and my "Charlie Hodge", Jason, and then it’s show time. Much of the time I spend in the dressing room before my shows is all about getting into the "Elvis zone". It's a state of mind, very important to my show. As a representative of Elvis, I always want to bring my very best to each stage because I feel that he deserves nothing less than that.
Q. What advice did ETA Garry Wesley, whom you first met in 2003, give you that you still use today?
A. Garry is my mentor and "big brother". He is a class act. Garry is always kind, and never partakes in the "ugly" side of this business in any way. Definitely a great role model for anyone, and I feel lucky that he was mine. He helped by pointing me in the right direction when I was a young, up and coming, ETA. Garry was the voice of reason and experience that I needed early on and I still bug him every now and then. The best advice he gave me was not to watch him or any other ETAs like so many do today, but to let Elvis alone be my teacher. I knew he was right, so I took that to heart and I tried to get footage of everything Elvis ever did. I’d also asked those who worked with Elvis for advice. I see many ETAs do ‘moves’ or stances Elvis never did. It may look cool, and it's fine for them if they want to put their own spin on it; but I choose to stick to what Elvis did, and I try not to embellish and do my own thing. I want my shows to be as honorable and authentic as possible. I study Elvis often to refresh, and I have some cool bootleg videos. At my shows, I will do things from the videos that Elvis did at his shows which sometimes have some fans wondering because it is from such rare footage that not everyone has seen. Garry and Elaine Wesley are the perfect example of how married couples can help each other and be successful in both marriage and business, doing it together as a team. They are truly wonderful people, and our lifelong friends.
Q. What is the biggest mistake that young ETAs might make in their tribute?
A. One mistake is moving too much. I see a lot of '50s ETAs moving excessively or doing moves while singing a ballad or something like "Peace in the Valley". My advice is, try not to overdo it. Learn to control those nerves. Over singing is another mistake. Keep the egos in check too. Humility is always best. It's all part of the package.
Q. How does someone embarking on a career meant to pay tribute to Elvis avoid becoming a “cheesy impersonator”?
A. I say, remember the admiration you have for Elvis, the respect you have for him, always. Know going into it all that you’ll never be Elvis, but you can try to stay authentic and be true to his name and likeness and just have a good time helping to keep his memory alive in a respectful way. You want people to always say, "He did a great tribute; not, "He was telling off color jokes, making crude comments, over gyrating certain moves, looking like he’s up there for all the wrong reasons, etc." You want to be up there singing from the heart, giving it your best, referring to Elvis, not talking like you are Elvis. Try to purchase quality outfits/costumes as you will look much more professional and earn respect. Wear your hair style as per the era of Elvis’s career you’re doing and don't put the jumpsuit on when you are too young to pull it off. Avoid the stereotypes of Elvis and the "Elvi" stereotypes too. Strive to be your best because, again, Elvis deserves nothing less.
Q. What valuable life lessons did you learn from your parent(s), mentor, or teacher that you still use today?
A. My parents instilled in me to be the best at whatever I do, to be honest, respect others, work hard, and be diligent; but most of all, remember that God and family come first. Everything else will be provided.
Q. If you were to create your own Elvis jumpsuit, what meaningful emblems would you include in the design?
A. I think a bolt of lightning similar to the TCB logo, or like Shazam, would look pretty cool. Elvis loved Shazam, and comic books in general, so I think he would have loved it. Something superhero related.
Q. What is the best part of being an ETA?
A. Getting to see the world and seeing the impact Elvis had on people of every background on every continent for so many years. And it is still happening. How loved he still is--it is amazing! It's also great to be around fellow Elvis fans who get why we still love him and why he was, and still is, so special. It's great being able to be a part of helping to keep his memory alive and to introduce him to younger generations. If you love Elvis and are a fan, I invite all to come see my show and I promise to bring my very best Elvis tribute to the stage! I've even been told I've converted some non-Elvis fans over the years who've come to my shows into new fans with my tribute; and that is one of my favorite things to hear and why I do what I do. It's fuel for the fire!
Q. Who are the important women in your life? Why are these women important to you?
A. First, my beautiful wife, Donna. We have tons in common, and as a married couple and best friends, we love each other very much. She is also my business partner and we manage my professional ETA career together as a team. She works so hard on our online social media pages such as Facebook, Twitter, Pinterest, etc., and she handles all the behind the scenes stuff such as my bookings, promotion, merchandise, etc. We've been married for 12 years this December. I asked her to marry me at Disneyland next to Sleeping Beauty's castle and Snow White's wishing well. We got married at Graceland with close family and friends. It felt we needed to have Elvis with us at our wedding since he brought us together. We formed our business, D & D Enchanted Entertainment, twelve years ago too.
Also important is my mother who’s always been super supportive and helped me early on with buying costumes and things to get me started. She is still a big supporter of what I do and helps in any way needed. We've always been close. I’m a proud momma’s boy. My mother in law, Joan, is my second "mom" and also a big supporter of what I do. Her home in New York is a place I always enjoy "escaping" to for peace and relaxation. My wife and her family are originally from New York. Two other important women are my Vegas, and third "mom", Cynthia Pepper, who was Elvis's co-star in "Kissin' Cousins". She is a dear friend, whom I've known a long time, and just simply a great lady. Also important to me is my fourth "mom", Shirley Morgan, whom I've also known a long time and is my fan club president. She too has always been so supportive & amazing. Shirley is always there to lend a hand in absolutely any way she can. She is special. They are all very special to me.
Q. How are you different on stage compared to off stage?
A. I don’t think I’m that different. I do try, though, to get into Elvis’s mindset during my performances as well as thinking about how he felt about certain songs while singing. You have to step into his shoes somewhat to become the illusion by remembering his certain movements, his expressions, his humor, and his demeanor. It takes practice for some of those things, others come naturally to me. Off stage though, I'm just Donny Edwards, proud Elvis Tribute Artist.
Q. Please tell us about your appearances on the Young and the Restless. What circumstances led to you being on the show?
A. I was asked to audition for the Y & R part by the manager I had worked with briefly during that time. It was apparently all setup for him to do the part already at that point, but they needed to audition three others to abide by the union rules or something like that, so we went down to Los Angeles, CA to the CBS offices. The manager I was working with went first, and after a few minutes I went in for my audition. I remember thinking I knew it was already decided who would get the part, so just have fun and do whatever they ask because it could lead to other things. I answered all the questions they asked, and then they asked me to sing. I asked them what song I should sing and they mentioned the first guy sang “Love Me Tender", so I said I would sing that also. When I started singing, both the interviewers looked at each other and smiled. After I was done they asked if I could come in the following Tuesday if need be. I told them yes, whatever they needed. When I was done and walking out, the third guy was walking in. After he was done they took photos of all of us together, as well as individually. When finished, we caught a taxi back to the airport and flew back to Las Vegas. As luck would have it for me, it turned out that the "powers that be" at CBS really loved my audition best of all and I wound up getting the part. I was happy but offered to give up the gig because I knew it was supposedly decided it was going to the manager I was working with and I knew how much he wanted it. I did wind up doing it after all though, and the following week I was at CBS, backstage, waiting for hours, getting ready to do my part. When my time came up, I had a few lines to say and then I sang only 55 seconds of "Pledging My Love" because they couldn’t go past that due to copyright restrictions. Because they didn’t have an actual soundboard or monitor, they placed the mic on my back and up into my hair. A few months later, the episode aired on TV. It was a cool thing to experience, looking back.
Q. Do you have any anecdotes about working for/with celebrities Dale Earnhardt Jr., Marie Osmond, Bill Medley, Jimmy Velvet, Darlene Tompkins, and Cynthia Pepper you wish to share?
A. I love the stories of the interactions with Elvis from those who knew him. Marie Osmond talked about how nice he was and how he always sent their mother flowers. She said he loved talking to their mom, Olive, a lot. I remember Bill Medley telling me about how Elvis showed up at his show, midway through during "You’ve Lost That Loving Feeling". Elvis patted Bill on the back in front of the audience and told him how much he loved that song and then just walked off while the audience went crazy. Jimmy has so many great stories and he tells them so well that you feel like you were there, too. Darlene has a great moment she shared where Elvis, in between takes, was smoking a small cigar. After he was done, he tossed it and the fans nearby broke through the barrier setup to retrieve it. Elvis just smiled and had a look on his face of "never ceases to amaze me, baby" like back in 1968. Cynthia is one of my favorite people and I love her story of how Elvis during filming in 1964 questioned whether he would be remembered after he was gone. It was amazing how humble he was, and remained, no matter how famous he became. I remember Dale Jr. telling me how he was such a fan that he bought a replica Aloha Cape that is framed above his bed.
Q. How did it happen that you were selected to be on the cover of two published books on the topic of Elvis tribute artists?
A. The first was in 2005. A photographer who was putting together a book was going around the US, and worldwide, taking photos paired with a quick bio of ETAs. She had an interest in putting me in her book, so a few weeks later she stopped at the Elvis-A-Rama and we did the photos. It was a fun experience all around. She showed us some of her work and the original cover with another ETA she had in mind for it. A couple months later I found out the book would be coming out soon, and that there was a change. There would be a different ETA on the cover than originally planned. I was told I couldn’t know who it was just yet, but eventually, a week or so later, I found out it would be my photo and that they'd have another shot of me inside as well. It was, and still is, amazing to think there are people seeing me on the cover of a book. The book is still available online. It's hard to miss with its hot pink cover. The second book was a compilation, again, of many ETAs and I was one chosen to be part of the cover with a write up inside as well. That was in 2010. My wife, Donna, is in that second book as well. They used one of our photos from our wedding at Graceland.
Q. Describe the experience of your very first visit to Graceland in September 1989.
A. For years I’ve been going to Memphis because of having family there. My aunt, uncle and grandmother lived there then. Every time we went to visit my family I always wanted to drive by Graceland. It wasn’t until September of 1989, the day my grandma was remarrying and we were going to the wedding, that my sister and I finally got to visit Elvis's home. I remember getting in line and getting the headphones and hearing Elvis’s voice singing while driving up to the house. I was so excited that I felt like a jolt of electricity was going through me. I wanted to see everything; but due to time and cost, my sister and I only got to see the mansion. I remember thinking how much I didn’t want to leave, but knew I needed to be at my grandma’s wedding. But I also knew I’d be back again.
Q. What men, outside the ETA world, have had a positive influence on your life? How?
A. My father and my big brother. They’ve left the biggest imprint on my life. Both taught me so much growing up, and how to be a respectful, responsible man. Both are spiritual men and have a wicked sense of humor which is where I got mine. My father didn’t have that great of a father figure in his own life, so it’s amazing that he was such a good dad to us kids. Family first. He grew up poor, but knew that just because you’re poor doesn’t mean you shouldn’t do the right thing. My big brother pushed me to do more than what was expected of me, and to expect more of myself. The word “integrity” describes both of them, and it is something I strive to maintain no matter how hard things are. It’s their unwavering faith in God and living by His standards that set them apart from others to me.
Q. What makes you sad? How do you cope with sadness?
A. Seeing my love ones go through sickness, watching them getting older. Death makes me sad. Seeing anybody dealing with hardship really, be it sickness or just not having enough of basic needs. I try to help when and where I can; but knowing that whatever I can’t do, God is there to help, comforts me. I always trust that He will set things straight by His righteous standards and not mine or anyone else's. Leaning on the Scriptures and prayer always helps me through sadness or just anxious times. My wife and I do get sad over the situation with the homeless in this country and so we often do what we can to help out by buying meals, or giving warm blankets and clothing in the winter months. We do what we can and say a lot of prayers.
Q. In what international cities have you performed? How are audiences different in different countries?
A. I’ve done tours and shows in Australia, Japan, Italy, Finland, Switzerland, Sweden, Denmark, Germany, Mexico, Chile, Costa Rica, and Canada, in many, many different cities within these countries. I spent 6 weeks in Australia touring the continent, from top to bottom, side to side. I've done numerous tours, shows, events in many areas of the world. We have been invited to perform in many other countries as well for which we are always sincerely appreciative and grateful. Sadly, with the state of the world as it is, we always have to carefully evaluate if it is safe to do so; and if we find it really isn’t, unfortunately, we have to decline. To us, our safety is most important over all things.
Most audiences are similar to American audiences in that they get very excited, are engaged, and clap along with the music. In Denmark and Germany I noticed they clap in unison, which sounds like an army marching. It's really awesome. Hong Kong and Japan are more reserved but once they get to dancing, they really get going and it’s a party all around. They are very appreciative and joyful. In Japan, individuals in the crowd will often yell out my name. Another interesting thing about Japan is that most of the fans there do not address Elvis by his name; they refer to him as "Presley". I always thought that was unique.
Q. Is there a country where you really want to perform as an ETA?
A. Yes, England. I was there once for a TV commercial, but have not yet performed my show there. I have Welsh in my ancestral bloodline, so have always wanted to perform in Wales. I’d like to get to Europe in general more often, as I love the history. We recently went to Italy where I performed at a private party with singer Adam Lambert. It was an incredible experience. We were treated like royalty and were so grateful for the hospitality.
Q. Will you be returning to Canada to perform in the near future?
A. Yes, I’m performing at the River Cree casino near Edmonton on May 11th of this year. I love Canada; the people are great. Lots of Elvis fans up North. I have done many tours in Canada since 2007 and have lots of wonderful supporters up there. Canada always has such nice weather and the natural scenery is amazing— breathtaking. I'm also addicted to Tim Hortons! They have the best hot chocolate in the world. One of my favorite sports, ice hockey, originated in Canada. Go Knights!
Q. What are your strengths as a performer?
A. I think for me it’s a combo of my energy, my vocal range and my look. I work hard at all. Mostly though, it's my attention to detail as to who Elvis Presley was and what he himself did in his shows. For me now, it's having fun with the audience and taking a trip down memory lane. For the older audience, I want to take them back; and for the younger audience, I want to show them a little bit of what it might have been like to see Elvis live. I feel I have a very good chemistry with my main band, Fever, and with the audience. Recently, I had a favorite actor, Nicolas Cage, come to my show in Las Vegas and he told me he loved my presence, mannerisms, my breathing, humor, etc. He complimented me on everything. Among many awesome compliments he gave me that night, he said that I blew his mind and that he loved our show, best he'd ever seen. That meant a lot to me, being he is a die-hard Elvis fan himself and was married to Elvis's daughter. That was a cool moment and great experience! We were honored to have him with us at our show and we thank him for that. A night we won't forget.
Q. Describe your typical non-performance day.
A. Okay, at least 3-4 times a week I do a hard cardio workout to keep myself conditioned, which is very important to me as the jumpsuits are not forgiving. I always try to watch my diet, but treat myself now and then. Red Velvet cake is one of my favorite treats. I do whatever chores need to be done: Cleaning the car, shopping, running errands, catching up on business with Donna, feeding and caring for our cats, spoiling them with a lot of attention. I watch the news, as much as I can take of it. I watch a lot of sports, and play a lot of video games. If needed, I clean my jumpsuits, which can take a while. I put a lot of love and care into keeping them in top shape. I always want to be my professional best. I stay in touch with and talk to my family a couple of times a week. My wife, Donna, and I have a date night one or two times a week to give us time to spend together relaxing and having fun, and getting away from business and the intensity of life. We also attend our spiritual meetings. It's important to keep a balance and remember what's most important.
Q. What do you treasure?
A. I treasure my wife, Donna, my family and my friends. If not for them, I wouldn’t be where I am and getting to enjoy all of the experiences my career brings to me, with them.
Q. What makes you laugh?
A. Witty humor! I like humor that's corny or makes you think. Growing up, I watched Mel Brooks movies. I just love his movies, from Blazing Saddles to Young Frankenstein to High Anxiety. Also movies like Airplane, Police Academy and The Hangover. I don’t care for people who have to get vulgar and crude to tell a joke. They have no imagination and resort to vulgarity to get a laugh. Always loved TV comedies like Frasier, Wings, The Mary Tyler Moore Show, to name a few. Today I watch The Goldbergs a lot, and just started watching The Big Bang Theory.
Q. If it were possible, what would you like to ask Elvis? What would you like to tell him?
A. First, I think I’d tell him thank you for all he did in changing music and our culture. He broke down barriers with his style and music. He forged a new way of life, and his legacy inspired not just his generation, but every generation since. I'd thank him for being a great role model, artist, and performer, and just all around good guy with a big heart. His spirituality and search for God and The Truth were inspiring especially for someone with that level of fame. The question I think I’ve always wondered was why did he stay with the Colonel? I know early on he did some great things for Elvis, but after Aloha I feel it might have been time for Elvis to find someone else. He should have toured the world, taken some breaks when needed, but he couldn't do either of those things with Tom Parker. Why didn’t he put his foot down, I wonder, and tell Parker what he wanted and needed him to do or else!? He didn't seem to have a say in his own career and that wasn't right.
Q. What would you like to say to the backup singers and band members with whom you perform?
A. Thank you very much! I always do my best to thank everyone who shares the stage with me. I know it’s not just me working, but it is all of us as a team! I’m grateful for their talent, professionalism and contribution to the success of my shows. The Fever Band is very special to me, and it is the band I work with the most. We have a great chemistry and enjoy performing together. We have been doing shows together for 12 years now. I can't thank them all enough for the many years of sold out shows everywhere, and I look forward to many more.
Q. In what ways have you changed as an artist, or as a person, since you began your ETA career?
A. I think I’ve become more aware of myself and my abilities as a performer and what influences I might have on others and how they view me. As an artist, I’ve learned to be patient and to focus. As a person, I count my blessings that I am able to do something I really love with my life. Looking back on my career, I realize I’ve done things I never thought I would, and also things that at one time, I could only dream of. It's been amazing.
Q. If you weren’t an ETA, what career would you chose? Why?
A. Probably something in entertainment. Maybe something in sports. I am very knowledgeable about sports, so I think I would be a good sports reporter or commentator. Maybe even a coach.
Q. What has surprised you most about being an ETA?
A. I think it's how much you can accomplish in this career. Before I started, I didn’t know what to think of "Elvi". I thought like a lot of other people, that they were "cheesy". After getting into it myself, though, I realized that there were some who just don’t take it seriously and that it's for showing off for some personal gain of theirs such as female attention, among other ego driven reasons. Then I found out that there were others like myself who do it from the heart and soul, and for the right reasons. They know they are not Elvis, but they do their best to pay tribute to him in the best way they know how, sharing with, and bringing joy to, their fellow Elvis fans.
Q. Describe a special moment with a fan or audience member.
A. Hard to pick one, but recently I dedicated a song to my sister who was fighting cancer at the time. I've done the same thing for friends and complete strangers who come to my shows over the years. It really lifts their spirits and hopefully aids in their healing. But singing "Impossible Dream" for my sister really got me emotional, and after the song, to have her come up to the stage where we exchanged hugs was overwhelming. Seeing her smile meant everything to me. I am happy to say that now she is doing great and is cancer free.
A funny and odd special moment I had was in Japan when a lady came up to the stage shaking while watching my show and fainted right in front of me, falling to the floor. I wasn't quite sure what to do being it was in the middle of my song. That was an interesting situation.
Q. As a self-confessed “die-hard Elvis fan”, do you have one particular souvenir that means the most to you? Why?
A. I have a few things, yes. I have some original banners and cardboard signs from the Hilton, and my wife has a paperweight that Elvis owned and used on his desk at one of his Beverly Hills homes. I also have several things that were signed by Elvis’s band members or friends. I think my favorite thing is my '50s guitar because the leather cover was made by Charles Underwood who made both of Elvis’s in the 1950s. I was one of the last to get one of those from him before he passed away shortly after. On the back of the cover, I have DJ Fontana’s 1st signature as a Rock n Roll Hall of famer! It was signed by him on the night he found out he would be inducted, which also happened to be January 8th!
Q. What are sacrifices have you made for your ETA career?
A. The only thing would be maybe family time — getting to spend more time with family; but we’ve actually done really great using our schedule and shows/ tours to work in those visits.
I do perform in Texas a lot, which is where my closest family members live. It’s been a blessing, so I don’t feel the sacrifice too much. It's all worked out really well.
Q. What Elvis costume is your favourite? Why?
A. The Jumpsuit. To me it marks Elvis’s arrival as the perfect showman and artist. He wasn't just a teenage fad any more. He was experienced, mature and better than ever. His voice was powerful with pure energy, yet still soft as velvet.
Q. Do you do your own hair and makeup for shows? Do you have someone who looks after your wardrobe?
A. I pretty much do my stage makeup and hair, myself. After 17 years in the business, I have it down pat and can do it quickly. I clean my own costumes and my jewelry and put a lot of care into it. I don’t wear too much makeup, as I prefer more of the natural look rather than a caked on plastic makeup look. My wife takes care of a lot of the setting up of all before shows, such as hanging my costumes and setting out my supplies. She also handles the cleaning up and organizing of all after, as well as wrapping up any business with our promoters, venue, and band, too.
Q. How will you know when it is time to retire from being an ETA?
A. I guess when I can’t perform anymore for physical reasons, or I just don’t enjoy it anymore. But that’s a ways off and not something I think about much right now.
Q. What will you do in retirement?
A. I’m not sure yet. Hopefully nothing too stressful. Something that allows me to interact with people would be nice. I enjoy being around people.
Q. What annoys you?
A. People who repeat the same mistakes, but expect a different outcome. I see those who envy what others have, yet won’t work for it themselves. That's annoying.
Q. What do you fear?
A. Losing my loved ones.
Q. Describe a future that is specifically designed for you.
A. Living in Paradise, preferably Hawaii...love Hawaii.
Q. How do you handle disappointment?
A. Like anybody I guess. I work through it. I look at what I did and promise myself to do better. You can’t wait for perfect circumstances to achieve; you must make the moves now. Like Bruce Lee, who is another of my heroes said, "To hell with circumstances, I create opportunities." You win some, you lose some; but stay true to yourself, especially in the entertainment business, stay true to yourself and to Elvis.
Q. What would people be surprised to learn about you?
A. I talk so much, most people know my likes and dislikes pretty quickly. Probably that I love light jazz music and instrumentals. One of my all-time favorite songs is Kenny G’s "Songbird". I can listen to that over and over. I also love big band music such as "Moonlight Serenade" by Glen Miller. Love some opera songs and singers like Pavarotti and Leontyne Price, too.
Q. Who are the people you would like to thank for supporting you throughout your ETA career?
A. My wife, Donna, my parents, my siblings, my in-laws, my aunts and uncles. Long-time friends since my childhood too, so many people. The Morgans, the Davis Family, the "Donny 5" ladies, my DE Crew and lots of our special Texas supporters, and of course, all the fans who come to our shows all over the world, especially those who have been around for so many years. All the people who support us and allow me to do something I truly love to do; I am thankful for all.
Q. What song do you wish Elvis had recorded so you could sing it on stage during your tribute to Elvis?
A. That’s a tough one. I think there are so many songs he would’ve done a great job on. Charlie Rich’s "Most Beautiful Girl in the World" comes to mind. Also Conway Twitty’s "Slow Hand", Tom Jones’s "That Lucky Old Sun", and Ral Donner’s "What A Sad Way To Love Someone". My wife always wanted to hear Elvis sing The Raspberries song, "Go All the Way".
Q. How would you like to be remembered?
A. As the Elvis Tribute Artist who stayed very true and authentic to Elvis's image and legacy, and one who captured each era of Elvis’s career, of Elvis's essence and soul and did it all with great integrity. Never forgetting what’s important and who it's really about and that I worked really hard to be on top and to share a 1st class, top notch performance at each show. I want to be remembered for bringing joy to people’s lives through Elvis.
Q. What question do you wish I had asked, but didn’t?
A. Question: "If you couldn’t be an ETA, what other artist might you pay tribute to?"
Q. How would you answer your own question?
A. I think it would be between 3 artists whom I love, and they are Tom Jones, Michael Jackson, and George Michael. I like the great vocals and moves of these performers that are unique to each. All three have a great catalog of songs to sing, from slow ballads to upbeat dance music. With that said I would like to give a shout out to the best Tom Jones tribute I’ve seen to date and that's Lou Nelson, the best Michael Jackson tribute is my friend, Michael Knight, and the best George Michael tribute, Rob Lamberti. Be sure to check these performers out if you get the chance. They won't disappoint
Thank you for the opportunity of doing an interview for your website! I enjoyed answering your interesting questions. Thank you very much!
Thank you, Donny, for the insightful answers you provided for this interview. Thank you, Donna, for your helpful messages and for providing the beautiful photos used in this post. You are a dynamic couple, and I wish you much happiness and continued success. Best regards, Carolyn MacArthur, SIDEBURNS Magazine.
Celebrity Photo Album
Thank you to Donna for providing the photo explanations that are in bold print. Unless otherwise noted, all photos are credited to, or provided by, Donna Edwards. Edits by C.M.
Photo #1, taken by Joan Hammer, is of Garth and Trisha with Donny and me. We were Garth's special guests at his Dallas concert. We spent time getting to know them and sat in their special friends’ section for the concert. Trisha is a die-hard Elvis fan and we had such a great time talking Elvis with her.
Photo #2 was taken at the Licensing Convention @ Mandalay Bay Casino here in Las Vegas. Donny was hired by Elvis Presley Enterprises to represent Elvis. The booth was very close to Tony Curtis's booth. When Tony saw Donny, he was shocked! We became instant friends with Tony and his wife. He was so charismatic and so kind. He made us feel very special. He wanted to hear all about our marriage at Graceland. He gave us his phone number, and when we parted, he grabbed both of our hands and said, "Now that we have met, we must always meet". What a fabulous man. Sadly, he passed away shortly after. We attended his funeral.
Photo #3 was taken when Donny was performing on a cruise to Hawaii. The group had set up a tour of the old Coco Palms Resort where Elvis filmed "Blue Hawaii". The sweet man in the photo with Donny is Larry Rivera who became friends with Elvis over the years when he would stay at the hotel. When he saw Donny, his reaction was priceless. He took to Donny right away and sang songs with him. It was AMAZING! The other two gentlemen in the photo are also ETAs.
Photo #4 is of Donny meeting Tony Curtis for the first time. I love Tony’s expression. We did the Licensing Convention for 2 years for EPE and this was during the first year. The other photo (#2) is from the 2nd year.
Photo #5, of Donny and Engelbert Humperdinck, was taken very recently. We were VIP backstage guests of Engelbert at his Vegas show. We know his brother very well as he attends Donny's South Point Casino shows each time he is there. Eng was very intrigued by Donny and expressed that he would love to see his show.
Photo #6 was taken by the photographer at the Bally Hotel (we don't have a name). Donny is pictured with Wayne Newton. We saw his show recently at Bally, and were put on the VIP list to meet him after. Wayne took to Donny right away and also expressed wanting to see his show.
Photo #7 of Donny, again with Garth Brooks and Trisha Yearwood, was taken by me.
Photo #8 was taken when Donny was headlining at the PNE (Pacific Northwest Elvis) Festival, which was supposed to be the “very last PNE Festival”. He is laughing it up with Joe Esposito and Red backstage.
Photo #9 is of Donny and Joe Esposito again, in Las Vegas. We had gone out to dinner with Joe and his wife and some other friends. Photo credited to Donna Edwards.
Remembering DJ Fontana
Donny and DJ Fontana had a close relationship. We became good friends with him and his wife, Karen. We loved them like family. So sad when DJ recently passed away. We flew to Tennessee to attend the funeral. This photo is Donny with DJ, doing a press conference in Chile before their show with an audience of 12,000 fans!
Slideshow
Thank you to contributing photographers, Jerry Jin, Mario Agius, Chey Salts, Sally Nietering, Jerry Jin, Lisa Donahue, Pat Carroll, Joan Haber, and Donna Edwards for photos used in this interview and slide show.
Videos
Contact Information
***DONNY EDWARDS LIVE***
***PROFESSIONAL ELVIS TRIBUTE ARTIST***
"An Elite Tribute to ELVIS"
"The Next Best Thing to THE KING"
"An Authentic Heart & Soul Tribute to THE KING"
D & D Enchanted Entertainment
Phone: 702.897.8107
Email: LasVegasETA@yahoo.com